Ours is the atomic bomb of work ethics, says Emerson Drive bassist Jeff Loberg,
summing up both the energy and determination of this country band. Its a bold statement, but Loberg and his five bandmates
have no doubt earned the right to make it. Were survivors, he says, the essence of road warriors.
That ethos goes a
long way toward explaining the success of an outfit that got its start in the western Alberta town of Grande-Prairie.
Nothing will make or break a band like the road, and few have been forged in that crucible as fully as Emerson Drive.
what youve got to do, remarks singer Brad Mates matter-of-factly. I consider these guys as talented as any musicians
Ive ever run across, but talent will only take you so far. What made this work was the willingness to say goodbye to
everything and just hit the highway.
They traveled in an old bus and then in a van, playing small and large clubs,
to handfuls of people and packed houses, in tiny villages and big cities throughout Canada. All along they worked on
their material, honing their songs with the same fervor that marked their live shows.
So when Emerson Drive
hit Nashville after six years, they were ready. Wed been rehearsing four hours in the afternoon and playing as much
as seven hours a night, five nights a week for two years solid, says Jeff. We knew we were gelling. It just felt
right, like this is who we are. I knew that if no one got what we were doing when we did our Nashville showcases, then
no one was ever going to get it.
And as it turned out, reports fiddle player Pat Allingham, DreamWorks heard us and
offered us a deal, and it just felt like we were meant to be part of that family. Indeed, DreamWorks Records executives,
led by label head James Stroud, got it. Their post-showcase directive to the band, to capture what they heard live,
rang like a manifesto, coming as it did in the wake of those grueling tours.
The result is Emerson Drive (released
in early 2002), which Stroud himself produced, with co-producer Julian King. It amply demonstrates the bands finely
honed instrumental skills and decidedly edgy repertoire. The album conjures the excitement that has made Emerson
Drive so popular with crowds all over Canada and now, increasingly, in the U.S. Songs like Looking Over My Shoulder
and Its All About You are high-voltage fun, while I See Heaven, Only God and Light Of Day bring romance and lush harmonies
to the mix.
It is an auspicious moment in the history of a band that began with a high school talent contest.
There, Pat and his pal (and now Emerson keyboardist) Chris Hartman the two had been in school and church choirs together since
kindergarten joined a few buddies to form an impromptu group doing an equally impromptu song. Also on the bill was Brad,
an 11th-grader singing for the first time in front of an audience. Pat, Chris and Brad quickly recognized their mutual
talents and tastes, and the three soon formed a band with some classmates.
It really got started in my parents basement,
says Brad. As they began rehearsing, theyd often indulge in teenage chatter about becoming singing stars, but, he concedes,
We had no idea it would ever build into something like this.
In fact, Brads musical background was casual. Hed
soaked up both his dads Don Williams and George Strait albums, as well as the hard rock favored by his junior high buddies.
Chris was a bit more formal. He came from a large family whod sing harmonies around the kitchen table, and he received
classical piano training. Pat, too, had a serious interest in music, playing classical violin from the age of three
and performing in orchestras and at festivals during his growing-up years.
This trio formed the core of a seven-piece
ensemble that played a couple of local gigs, including an awards show where they took in $300 just by passing the hat.
A few months later they were joined by Jeff, from nearby Beaverlodge. Jeffs dad had introduced him early on to the music
of Buddy Holly, The Everly Brothers and Ricky Nelson, whereas he discovered Southern rock on his own. Jeff played guitar
from the age of eight. When I joined the band, he informs, Id never played bass in my life. But the guys needed
a bass player, so I figured Id give it a try.
The bands initial attitude toward their career was similarly carefree.
We just wanted to go out and have some fun, Chris attests. Theyd cut class on Fridays to set up for that evenings show
at a local club and watch as their underage friends tried unsuccessfully to sneak in.
But they soon began to take matters
more seriously. They settled on six members, used parental donations to buy a school bus they painstakingly but lovingly
converted to tour-worthiness It was a cool little party pad for a couple of years, says Chris chose the name 12-Gauge and
began touring the sparsely populated region. Almost anywhere you went involved a long ride, says Brad. Pats father,
Lionel Allingham, managed the band for their first three years, helping them raise funds for demo recordings and making connections
for performance dates. It all happened in stages, Pat says of their early progress. People started noticing us
and we started doing showcases.
One particular industry showcase brought them into contact with Gerry Leiske, who was
then managing a band called Farmers Daughter. That group boasted a guitar player named Danick Dupelle who was looking
for a change. He warmed to the idea of joining 12-Gauge.
Danicks parents were musicians who, he says, used to
bring me to gigs and stash me behind an amplifier. By the age of three, the Quebec native was belting out Blue Suede
Shoes, a song Emerson Drive performs today. Danicks father gave him a guitar and showed him a few chords, and
the youngster set to work, joining his parents band at the age of 11. He spent his teen years playing festivals and
Danick traveled the world with Farmers Daughter, opening for the likes of Kenny Rogers and Vince Gill,
among others. But, at Leiskes request, he came to Grande-Prairie to meet the boys in 12-Gauge. I thought, Wow!
These guys have great harmonies, he recalls of his first impression. When they asked him to join the band, he jumped
at the chance (though only after completing a Farmers Daughter album-in-progress).
The final piece in the Emerson
Drive puzzle was drummer Mike Melancon, another French-Canadian, from the town of Mont Laurier, two hours north of Montreal.
My dads a biker and a rock n roller, he says of his background, so I grew up listening to Black Sabbath and AC/DC. Mike
started playing drums in high school, then moved to Montreal to study the instrument, playing in cover bands on the bar circuit
until his old buddy Danick called asking him to join 12-Gauge.
The early days of Mikes membership were interesting
ones. He couldnt speak a word of English, Pat explains. We basically communicated through music. After he
came in, we rehearsed for four days, got the show together and performed for 3,000 people at a rodeo in Vancouver.
was in the audience that night and, duly impressed by the bands new incarnation, signed on as their manager. The sextet
renamed itself Emerson Drive, after the Emerson Trail, which crosses western Alberta and joins the Alaskan Highway.
Then they hit the road hard.
Wed already done a lot of touring, but we had no idea what we were in for, says Pat.
Gerry threw us out on the road and we traveled from week to week. We only got home for Christmas and maybe for a little
break in the summertime. It was tough, but its what made the band what it is today. Remarks Brad: Making music
is great, but youve got to find out if you can live together, and weve been able to do that in this form for three years.
Its a very special thing.
The band not only survived but thrived on the road, even weathering the demise of their bus
with grace. It broke down eight hours from home, and we couldnt afford to have it towed, Brad continues. We left
it in Calgary and sold it at auction four months later for $300. But it cost us $200 for storage, and wed just put on
$800 worth of new tires! They replaced the beloved old vehicle with a 15-seat van that has yet to break down but which
has been broken into, resulting in the loss of $40,000 in equipment.
no amount of tough luck can dim the luster that comes with attaining the goal of a record deal and tackling the next objective
making Emerson Drive a success.
Says Pat: Weve got the chance now to go out and play for people who will be
coming especially to hear our music, and thats when you realize youre getting to live your dream.
The members of Emerson
Drive now live in Nashville, where they look forward to becoming part of the U.S. country music scene. They cant
wait to get back in the van, travel across the 50 states and meet a whole new family of fans and friends.
Taken From: Dreamworks Nashville Emerson Drive Official Site.